Quantcast
Channel: Interiors and Lifestyle Futures
Viewing all 78 articles
Browse latest View live

7 Keys of Networking Etiquette

$
0
0
 Tony Altham,is a leading expert on building business by referral. Here's his guide on how how companies can build better and more profitable relationships through networking etiquette:

1 Rapport
Building rapport quickly is essential in building great relationships. Your body language, smile, dress and even your handshake all have an impact. First impressions count so make a great first impression.
Stand ‘tall’ and hold your head up with your chin level as this conveys your confidence.
Smile as you greet people as this confirms that you are warm and friendly and approachable.
Look them in the eyes when you meet and when you are talking to them as this affirms your interest in them and what they have to say. A sure fire way to lose rapport as well as to fail to achieve rapport is failing to this and looking over the other person’s shoulder and around the room to see who else is available for you to talk to.
Dress for the occasion and importantly dress for you. Wear clothes that reflect your style and your personality and dress in clothes that you look and feel good in.


Tony Altham


2 Your Handshake
In some cultures it is taboo to offer your hand as a greeting so learn about cultural differences if you are going to be networking internationally. For the purposes of these tips, the comments relate to networking in the UK and westernised business meetings and countries.
In this context, the simple rules are that your handshake needs to:
Match the pressure of the other person. A ‘bone crusher’ can cause pain to the other person, especially if they are wearing rings or other jewellery. Equally, a wet fish or limp handshake tends to convey insecurity and potential lack of confidence.
Avoid fingers only – a palm to palm handshake is important and it should be firm as this conveys confidence, strength and self belief. The opposites of this are a soft handshake that subconsciously communicates a lack of self confidence and weakness (even though this may not of course be the case) and a bone crushing very forceful handshake that can be seen as an attempt to be dominant and at the very least, it can be extremely painful for anyone wearing a ring or rings on their hands.
Notice how the other person approaches you and also how you approach for the handshake. If the hand is offered palm down this a more assertive and dominant characteristic, palm up is more submissive and potentially perceived as less confident and straight on is on the level and greeting as equals.
To build rapport you can choose to turn the other person’s hand slightly over your own as you shake hands, so their hand is marginally on top, as this helps to relax them and remove perceptions of potential threat. In the first seconds of meeting our sub-conscious mind processes our natural fight or flight self protection instincts so the quicker you establish your position the better.
Along with your firm handshake, always ensure you make eye contact by looking the other person in their eyes throughout the handshake as this communicates interest, courtesy and respect. Be mindful that your eyes are incredibly powerful in conveying a great deal of information about you. By looking into your eyes as you meet and speak, others will decide whether you are friendly, angry, warm, engaging, funny, interested, interesting or indifferent. They will likewise give a first impression about whether they trust you or not, so be genuine.

3 Respect and Courtesy
Respect the other person’s space and don’t get too close too soon. Give them your full attention and avoid looking around the room for who else you can talk to as this shows lack of interest. Be polite and courteous in your manner and conversation. You can lose someone’s interest in a second through disrespect and lack of courtesy.
If you really want to test this and ensure you either break rapport or fail to create it in the first place, during one or two of your future networking conversations spend your time looking around at who else you can talk to while in conversation with someone you meet. They will pick up on your eye movements and body language in seconds and the damage is done. Likewise become aware of how you feel when you experience the same in reverse.

4 Certainty and Conviction
Use strong and confident language and you will build confidence and certainty. The word ‘try’ subconsciously means you might try and you might fail. Instead, tell people what you do and how you do it and what this means for them as well as for your customers and clients. Using the word ‘do’ means you remove doubt and convey certainty. We all love certainty because it builds trust and confidence and enables us to relax and buy.

5 Etiquette
Await your turn to speak and avoid dominating a conversation. Instead, be the catalyst that draws other people into your group and into the conversation. Engage with and involve others in your conversation so they feel included and as you introduce them to other people mention something about them and where possible their business so you can so that the people you are introducing them to find it easy to ask a question or two and or make a comment that will enable them to continue the conversation.
Ideally in a conversation gently encourage and facilitate the other person speaking around twice as much as you do by asking them open questions as these will enable them to speak more openly and expansively about who they are and what they do.

6 Moving on
Often at networking meetings you want to meeta number of people and the people you meet feel the same way, so acknowledge this and respect their time and yours. Brief encounters can be massively powerful and memorable when done well.
Be prepared to move on to new conversations and always do so carefully and considerately. For instance, you can suggest going for refreshments and take the other person with you. You then increase your opportunity to meet other people, start new conversations and of course to introduce them.
You can thank them for their time and say you need a word with someone and have enjoyed meeting them and look forward to speaking again soon.
You can even introduce them to someone else and then make your excuse to leave the conversation, like ‘I’ll leave you to talk while I …’ and so on.
There are many ways to do this well and to leave the other person feeling great about meeting you.

7 The business card exchange
Exchanging business cards is a simple activity that can and frequently will have a very big impact on how you are perceived.

My personal RULE NUMBER 1 is ask for the other person’s card first - always. Keep it in your hand and study it – make a positive comment on the design and or information on it where good to do so and be slow to put it away as this conveys that it is important to you. Only after you have asked for their card do you ask if you can give them yours.
Always receive their business card as they pass it to you. If they pass it with 2 hands receive it with two hands. If they present it with one hand, receive it with one hand and ideally, always your right hand.

When it is your turn, do the same in reverse. If you received their card with two hands, present yours with 2 hands so the card is presented facing towards them. If you received their card with one hand present yours with your right hand, so the information is easily readable as they receive it.

Keep hold of their card while you are talking to them or if you are sitting at a desk or meeting table, place it on the table in front of you during the conversation.
This is respectful and conveys that the card and information on it is important and valuable to you. Keeping it in front of you also allows you to periodically glance at it so you increase your opportunities to remember their name.

When you do put it away, men in particular must avoid putting it into a rear trouser pocket as in some cultures this can be considered disrespectful. The reason for this is that the business card is often seen as an extension and representation of the person and the face of the card is considered as if being their face. Therefore, always avoid placing someone’s business card into a trouser pocket, especially a back pocket.

Carry your own business cards in a business card holder or case so they are kept in pristine condition and keep them easily accessible in a bag or a shirt or jacket pocket.
If you wish to make a note on the business card to remind you about the individual or something they have said during your conversation, always make it on the reverse of the card and ideally do so after you have moved away. If you need to make a note while they are with you, just ask, ‘do you mind if I make a note of …?’before you actually do so.


Awards and networking event 20 January at Interiors UK 2014

$
0
0
Interiors & Lifestyle Futures and Birmingham City University would be delighted if you could join us at an industry awards and networking event at Interiors UK 2014.

It takes place on Monday 20 January between 3pm and 4pm on the University’s Stand (2B24), Hall 2 at the NEC, Birmingham.

The Awards will be hosted by Professor Chris O’Neil, alongside industry representatives from Tektura Wallcoverings and international trends prediction agency Global Color Research™ Mix publications.

This will be Birmingham City University’s sixth year exhibiting at INTERIORS UK. The stand will showcase the work of BA (Hons) Textile Design students and staff in conjunction with several West Midlands interiors and lifestyle companies.

The students have created a range of new designs inspired by two trends forecast by Global Color Research™for Autumn/Winter 2014/15: ‘Axis’ and ‘Frame’.

Interiors UK will run from Sunday 19 January until Wednesday 22 January 2014.  

If you intend to join us on Monday 20 January could you please confirm your attendance no later than Tuesday 7 January 2014. RSVP: Lyndon.pryce@bcu.ac.uk

 And, of course if you are at the show at any other days we would be delighted to see you. 

Don’t forget to visit the Interiors UK 2014 website to get your free entry to the show.


Student winner Zoe Watson (centre) & Tektura's Jo Cain & Julie Mason at Interiors UK 2013 


Follow adrianilfutures on Twitter

QuIck look at the BCU Trend Stand at Interiors Uk

Visioning workshops new dates

$
0
0
Our popular two-day Visioning workshop programme kicks off again from February.

If you are a creative West Midlands based small business or sole trader wanting to take a fresh look at your future business direction, then this will be two days well spent. As usual, the workshop is free thanks to funding from the European Regional Development Fund.

You'll need to working broadly within the interiors and lifestyle sectors (furniture, furnishings, textiles,  interiors, ceramics, glass, jewellery, etc).


Penelope Jordan and Richard Snell, Visioning Workshop 2012


Dates
Workshop 10: Thursday 27 February and Thursday 6 March
Workshop 11 Thursday 20 March and Thursday 27 March
(days run from 9.30am until 4pm)

Venue
The Parkside Building, Birmingham City University, B4 7BD

The two-day Visioning workshop is aimed at helping you to

  • take a look at your existing business and/or explore new ideas 
  • map your current business network, identifying positive and negative aspects
  • create an action timeline for implementing changes
  • discuss issues with and learn from other businesses
If you have any questions or would like to sign up for either of these workshops or future ones, please telephone 0121 3317925 or email info@ilfutures.co.uk And, please pass on to anyone you think may like to attend a Visioning workshop. 

Great West Midlands products at an exhibition!

Lord Heseltine checks out HF Contracts Cello chair

$
0
0
I'll run a full blog post when we get the professional pics. But, while here for the official opening of Birmingham City University's Parkside Building Lord Micahel Heseltine visited the BIAD Trends stand and Interiors & Lifestyle Futures exhibition. Here is a snap of him checking out  the Cello chair by HF Contracts.

We are waiting for the professional's photographs.


Lord Heseltine and HF Contracts Cello chair 4 March 2014



Lord Heseltine and ILF Project Director Kathryn Burns



Follow @adrianilfutures

Meet our newest ILF businesses

$
0
0
The latest batch of entrepreneurs completing the Interiors & Lifestyle Venture start-up programme are pictured at Birmingham City University’s Parkside Building.

The group is setting up a range of design businesses that include specialist clothing, jewellery, ceramics, interior design and large scale build installers.

Anna Peacock who is setting up her own interior design business said that the ILF team had helped her turn her life around. "I had to change my career plans a few years ago. ILF not only helped me plan the running of my own business but through them I have also found part time employment with one of the companies of the Interior & Lifestyle Futures network."

The next phase of the ILF Venture programme begins in autumn 2014 and further details are available by emailing info@ilfutures.co.uk.

Back: ILF's Kathryn Burns and Ruth Edwards
Row 2: Rosemary James (VV By Rose) Sid Edwards (Ripseam) Agnieszka Maksymiuk (Maksymi.uk)
Row 3: Jake Lovell (Stax Creations) Anna Peacock (Anna B Pavone) Jasmine McKeever (Little Jasmine) Kay Taylor (Life of a Lemon)
Front : Nahida Mahood (Nahida Mahmood Designs) Mpho Sekhonyana (Hartjies)) Sahiba Kaur (Cityscapes) 



Four by four. Basic design and planning principles from Interiors & Lifestyle Futures.

$
0
0
Four project level design management tips

  1. Always do your market research as part of the design process. The main reason for a design failing in the market place is not understanding customer requirements.
  2. The early stages of the design process are the best time for change . They don’t cost too much.
  3. Make sure you regularly review the design process against the design brief and specifications.
  4. Keep track of all improvements/changes to processes and technical performance identified in the regular reviews and final evaluation. This will be of major benefit to future projects.
Four general planning tips 
  1. Identify resource and equipment needs. For example, admin support, storage, technical information and external specialists.
  2. Set key dates for specific objectives and tasks including start and finish dates. Plan design activities, establish overall targets for the design team and monitor progress.
  3. Fix a project budget plan for all costs including any external funding elements.
  4. Have an effective system of management information for control purposes with good communications in place.



Recruiting now for our next Venture start-up programme

$
0
0
Planning to set up your own West Midlands business? ILF Venture, which is funded by the European Regional Development Fund, can help with mentoring and development workshops.

Each week, experts will help you to focus your ideas, build business confidence and sharpen your entrepreneurial skills. You may also qualify for a bursary of up to £1,000, subject to funding conditions. 

Our programme is intensive and you will need to commit to a day each week from September 2014 to January 2015.

The business you plan to set up will need to fall within interiors and lifestyle sectors such as: furniture, furnishings, art, homewares, fashion, textiles, jewellery and giftware or related services.

You will need to be living in the West Midlands and to set your business up here. You must not yet be trading or registered as a business/self-employed before joining ILF Venture.



3 Day workshop October 2013

Programme
Introductory 3-day workshop: 23 – 25 September 2014
Weekly sessions start: 7 October 2014

Places are limited - we are looking for talented individuals with innovative ideas and a sense of design. If you are passionate about your idea, you should not miss this opportunity.

Application details
For application form & further information email: info@ilfutures.co.uk or phone: 0121 331 7922
Applications close: 15 August 2014
Interviews: 8 and 9 September 2014


Eligibility
  • Resident and eligible to work in the West Midlands
  • Planning to set up an interiors/lifestyle business in the region
  • Fully available for the four month programme in Birmingham
  • Not yet trading or registered as a business
  • Aged over 18

Here's what some of our recent participants said:

"A great team of experts to give you a boost up your own path. Every week when walking home we’d really feel that we’d learnt something," Nathaniel Hanna & Jake Lovell, Installation Specialists

"I had to change my career plans a few years ago. ILF not only helped me to plan the running of my own business but through them I also found part-time employment with one of the companies in the Interior & Lifestyle Futures network," Anna Peacock, Interior Designer

"Thanks to ILF my retirement dream came true 40 years early - kiln arrived!" Mpho Sekhonyana, Ceramicist

ILF Venture entrepreneurs March 2014


Follow @adrianilfutures 



A designer, a maker and an artist walk into....

$
0
0

Furniture designer maker Armando Magnino attended an ILF Visioning workshop a few months ago. One exercise prompted some thoughts, which he explored on his Studio Sixteen blog. We thought it was well worth sharing here and thank Armando for permission to repost. (Latest Visioning workshop dates here)

I recently participated in a workshop organised by Interiors and Lifestyle Futures in Birmingham. One of the exercises asked us to discuss how we describe ourselves professionally. The facilitators shared a list they’ve been compiling from previous workshops: while the list was fairly long, it boiled down to combinations of designer, maker, artist, craftsperson. Within the context of the workshop, this exercise was little more than an icebreaker, but it resonated with me because, from the moment I started my business, I have been wondering about how I label my work and myself.

My standard answer is that I am a furniture designer maker. And I tend to say that I design and make bespoke furniture or fine furniture: I guess the first emphasises the uniqueness and customisation of my work, whereas the second hints more at the high level of technical skill in the making and the aesthetics of the pieces.

I have so far eschewed the term artist , when I haven’t actively rejected it. In fact when I was asked to write a profile piece for ArtSpace, the magazine of the LSA (Leamington Studio Artists) I titled it “Why I am not an artist”.

Joseph Campbell talks of true art as having the capacity to generate “aesthetic arrest”. As I understand it, what he means is that art can help us to “stop the world” (to borrow an expression from Carlos Castaneda), to interrupt our normal everyday perception of the world and open us to an experience of something “other”. Through the immanence of the artefact we can experience or at least glimpse the transcendent, the sublime, the transpersonal. I certainly cannot claim that quality for my work. But neither do many people that describe themselves as artists.

More down to earth, Alice Rawsthorn in “Hello World”, after a thorough discussion of the various features of art and design, concludes that the only identifiable and defining difference is in function. Design is about problem-solving. It has a practical application. Products that are designed have a use, art products do not. I agree with her reading, and in that sense I am not an artist. Yes, I want my work to be beautiful, original, intriguing but fundamentally useful.

And yet… When I make a commissioned piece I am indeed problem solving. I am designing and making something that is useful and needed. Usually when clients approach me to commission a piece, it’s because they haven’t found the solution to their problem. It might be that they need something that fits in an awkward space. Or that fulfils a particular function. Or it might be that the pieces they have found do not fit with the décor of the rest of the room…

But what about the speculative pieces? Something like the mirror and shelf combination that I call “This Thing of Darkness”. It is useful, yes, but the inspiration behind it was purely emotional and aesthetical. It started with the line from Shakespeare’s Tempest: “This thing of darkness I acknowledge mine”. It comes right at the end of the play: all the spells have been broken or released, the games are over. Prospero is describing, acknowledging and prescribing the new order. As part of this process he takes responsibility for Caliban, the misshapen, villainous creature (“this thing of darkness”) that has been doing his bidding.


This Thing of Darkness – English Oak

But watching the play with my wife, it struck us that we could give a psychological reading of that line. Over the years we have both worked with a personal development approach called “Shadowwork” based on the work of C. J. Jung. Jung talked of a Shadow we carry within our psyche. This Shadow is made up of the aspects of our personality that we choose to hide, deny and repress and from there it can affect our behaviour in ways that go against our conscious intentions. The work of therapy is then that of bringing these aspects into the light, to acknowledge them as part of us, in order to become a more whole, integrated person but also to strip the shadow of its power.

Reflecting on this reading of the line, it struck me how appropriate it would be as the title for a mirror. A symbolically magic mirror. One that reflects the parts of us that we do not want to see, our shadow, forcing us to face them and acknowledge them as “mine”.

As soon as I had that thought, I had a clear idea of what it could look like. It took me some time, sketching and playing with it to find the right proportions but also to convince myself that it would work. Ideas don’t usually come to me that quickly and easily. And of course it would have to be framed in a dark wood.

Does this make me an artist? After all the process was not about problem solving. In my mind, the functional aspects of the piece are somehow secondary to the psychological connotations and realisations that it carries for me. That might not be the case at all for the people that have bought the mirror. I’ll share this story with them, but they have simply bought it because it’s a beautiful piece that fits in their house and has a practical and decorative function (I imagine).

Having actually written it all down, now I wonder. Why is it so important to describe myself as just one thing? I know that as human beings we are much more complex than that. In the words of Walt Whitman “I am large. I contain multitudes.”

Visit Armando's website here

Follow @adrianilfutures 

Creative Industry Finance programme

$
0
0
For information:
 A programme "designed to assist creative enterprises in securing finance and investment to successfully develop and grow into sustainable businesses. We offer tailored business support with a focus on supporting applicants through the process of applying to a suitable lender for a business development loan."

"In order to be eligible to apply you need to fulfil the following criteria:

  • Minimum 18 months trading history
  • Registered/operating in England
  • Business activity falls within one or more of our creative industry classifiers"

Right here, write now

$
0
0
At a recent Visioning workshop,  a designer-maker asked about writing press releases. This blog isn’t the place for a lengthy how-to -you'll find lots of detailed advice online (How to Write A Press Release for example)

 But, for a quick start here are my four basic tips*

  • Make sure you know exactly what story you want to tell. It is surprisingly easy to fall into the trap of loading your news with irrelevant details.
  • Aim for no more than 14 words in your opening sentence and tell everything concisely in your first paragraph – that’s all the editor may use. Make sure it answers these questions: Who, what, where when and how
  • Check your spelling and grammar thoroughly – remember word processing spelling and grammar tools don’t think. They are weigh too dumb. See what I mean.
  • Top it off with a clear and attention-grabbing headline but watch out for unintended meanings -  such as ‘Red Tape Holds Up New Bridge’

* There's a rarely revealed tip. Forget the rules, type your story as it comes. Effective press releases aren’t written. Like all the best copy, they are rewritten. That's when, you won’t go far wrong with the tips above.

Visioning workshop Worcester

$
0
0
Interiors & Lifestyle Futures would like to thank all the companies that took part in our latest  workshop for the welcome they gave us and, more importantly, all the hard work they put into the two days! Thanks also to Natasha from Worcester CCC for the group photograph.

Participants
Adrian and Heather - AKH Vintage
Anneliese Appleby
Sarah Walker Artshades
Lisa and Andre -Blacktape
Gemma - Brown + Black Studio
Jenni Waugh Consulting
Sarah Millin Art



Visioning workshop Day 1


Visioning workshop Day 2

ILF team and participants


For more about  our Visioning workshops click here.
Follow @adrianilfutures 

Venture workshop - David Clarke Critique

$
0
0
This week the ILF Venture workshop welcomed innovative  silversmith David Clarke.

David is also much in demand around the world as a teacher of design and creativity - in fact he had just returned from a three week stint in China.

He provided each of our Venture participant with a thorough critique of their business ideas (yes there were some tears!) and invaluable suggestions for improvements and opportunities.

"David gave me constructive criticism, showing me how and where I need to improve, " said clothing entrepreneur Lloyd Taylor.




David Clarke gets to the point
Around the table group discussion
(L-R) James Harris, Dawn-Marie Denton and Karim Kahn-Ali
Follow @adrianilfutures 

Sara Page - making a splash.

$
0
0
Surface designer Sara Page is a stalwart part of the Interiors & Lifestyle Futures community. She has recently teamed up with fellow ILF member GlassDomain to produce a kitchen glass splash back. The work will feature in online kitchen design magazine Utopia in January.

Sara with one of  her wild wine glass splash back designs
GlassDomain's visualisation of the wild wine kitchen splash back


And, if you are visiting Birmingham city centre, you will also notice that Sara features on posters as part of this year's Birmingham Made Me campaign, which runs on 19 November.

One of this year's Birmingham Made Me Expo posters 

If you cannot catch Sara at the Expo, make sure you check out her online website


Follow @adrianilfutures 




Stax of ideas, Stax of effort

$
0
0
Stax Creations, alumni of our 2013-14 ILF Venture start up programme, go from strength to strength.

Most recently, the young team, which specialises in the design and build of large installations for retail, office and event spaces, achieved a major profile boost with their work for the Birmingham wing of TED the global ideas phenomenon.


Part of Stax Creations work for TEDxBrum

The theme at TEDxBrum event on November 8 was DIY and Stax whose own company ethos of 'do it yourself' dovetails so well with the TED philosophy, quickly created a distinctly visual stage set.

"We really wanted to do it," adds Nathaniel Hanna, Stax Creations managing director. "I'm a fan of the brand and it was a great opportunity to showcase what we can do."

The TEDxBrum project followed a busy summer and autumn for Stax, which included major builds for two festivals.


Exhibition showcases the 'Polyprop' chair

$
0
0
The latest exhibition at Birmingham City University's Parkside Building celebrates the landmark Polypropylene side chair.

Professor Richard Snell charts the development of this 20th century classic by furniture company Hille and designer Robin Day. Richard's exhibition demonstrates the evolution of the chair, still sold worldwide, in the context of 19th and 20th century chair design and takes account of the creative and commercial possibilities offered by new materials and processes.


Professor Richard Snell
Private view  Day and Hille exhibition 


Speaking at the opening of the exhibition, Cherrill Scheer , youngest daughter of Ray Hille who led the company from 1932 - complimented Richard on the elegance of the exhibition. Cherrill also shared some vivid memories of life at the company in the 1960s and 1970s.



Cherrill Scheer (r) and daughter Danielle Benson
If you are visiting Birmingham this is informative exhibition well worth visiting.

Exhibition opening times
The exhibition is open 9am to 7pm (closed Sundays). It will close for the holiday period from 20 December and reopen on Monday 5 January. Last day Friday 9 January 2015.


















Venture's Rosemarie Va Va vooms with her creations in London

$
0
0

Rosemarie James, who took part in our Venture start up programme last year, had her designer dresses wowing people on the catwalk in London.

The Fashion Designers and Craft Makers Young Designer Awards took place in November. VV by Rose's  designer outfits for larger busted women were showcased in the Emerging designer category.

"It was wonderful to see my designs on the catwalk at such a prestigious event," says Rosemarie. "I networked a lot and met many great designers including some from the USA."

Merry Christmas and happy new year

$
0
0


Interiors & Lifestyle Futures send their best wishes to to all our West Midlands companies, partners, colleagues and participants on the ILF Venture and Visioning programmes. Have a very Happy New Year. Our office reopens on Monday 5 January 2015.




Unlikely, we know!

visioning workshops - latest dates.

$
0
0

Interiors & Lifestyle Futures's popular free Visioning workshops for creative and small West Midland businesses begin again in 2015. So, if you want to give your thinking and/or your business strategy a good spring cleaning, the next available dates are:

Workshop 18 Day 1 Tuesday 24 February and Day 2 Tuesday 3 March
Workshop 19 Day 1 Tuesday 17 March and Day 2 Tuesday 24 March

Venues to be confirmed though likely to be Birmingham and Wolverhampton.

Visioning workshop Worcester Oct 2014
If you'd like to attend either workshop 18 or 19 please contact Ruth Edwards:

e: info@ilfutures.co.uk
T: 0121 331 7922

About our workshops
If you are a creative West Midlands based small business or sole trader  wanting to take a fresh look at your future business direction, then this will be two days well spent.The workshop is free thanks to funding from the European Regional Development Fund.

You'll need to working broadly within the interiors and lifestyle sectors (furniture, furnishings, textiles,  interiors, ceramics, glass, jewellery, art or services that support these areas).


The two-day Visioning workshop  helps you
  • identify strengths, gaps and opportunities through our unique network wheel
  • take a look at your existing business and/or explore new ideas 
  • map your current business network, identifying positive and negative aspects
  • create an action timeline for implementing changes
  • discuss issues with and learn from other businesses



Viewing all 78 articles
Browse latest View live